There's something beautiful for everyone in this week's New Music Friday round-up, including Miley Cyrus' ninth studio album, Something Beautiful, and Lorde's gender-bending new single "Man of the Year."

SEVENTEEN celebrate the release of their fifth studio album with HAPPY BURSTDAY, while Ángela Aguilar reinvents herself with Nadie Se Va Cómo Llegó and Matt Berninger releases Get Sunk, his second solo album outside of his work with The National. Plus, Heidi Montag drops her long-awaited sophomore set Heidiwood and Paris Hilton reimagines her own recent sophomore LP with Infinite Icon (The Remixes)

Meanwhile, new singles include Ava Max's "Lovin' Myself," Dean Lewis' "Truth," Niko Moon's "Sandcastles," Conan Gray's "This Song," HAIM's "Take me back," girl in red's "Hemingway" and more.

Below, press play on 10 more new releases worth checking out, including singles from Lorde, Tate McRae, Addison Rae and Wet Leg and the special 20th anniversary re-release of Mariah Carey's The Emancipation of Mimi.

Lorde has spoken candidly about her evolving relationship with gender in the lead-up to her highly anticipated fourth studio album, Virgin (due June 27), and on the project's second single, the two-time GRAMMY winner tackles the topic head-on.

The result is powerful and visceral, as Lorde goes topless in the accompanying music video, taping down her breasts and tying back her hair as she revists her "recent ego death" and sings, "How I hope that I'm remembered, my/ Gold chain, my shoulders, my face in the light/ I didn't think he'd appear/ Let's hear it for the man of the year."

Miley Cyrus has never been more ambitious than on Something Beautiful, her ninth studio album, and its accompanying visual film.

The pop star's 13-track magnum opus includes unexpected collaborations with Brittany Howard ("Walk of Fame") and Naomi Campbell ("Every Girl You've Ever Loved") and arrives with a stunning, high fashion video for standout "Easy Lover." Fans will have to wait to experience the rest of Cyrus' maximalist vision, though, until the visual album premieres in full in theaters on June 12 for one night only.

Read More: The Many Eras Of Miley Cyrus: How 'Something Beautiful' Celebrates Pop's Great Experimenter

All eyes are on Tate McRae on "Just Keep Watching," her chic contribution to the high-octane soundtrack for F1: The Movie, which premieres in theaters across North America on June 27.

The self-assured track and its revved-up music video act as a well-deserved victory lap for the "Sports car" singer, who struts, smizes and demands listeners keep up in the wake of earning her very first No. 1 on the Billboard Hot 100 this week with Morgan Wallen collab "What I Want."

Read More: Tate McRae's Big Year: The "Greedy" Singer Reflects On The Moments That Made Her A Pop Superstar

"Is it love or suicide?" That's the macabre question at the center of Wet Leg's new single, "CPR," which will be featured on the band's sophomore album Moisturizer — their first as an official five-piece, due July 11.

On the fuzzy, blissed-out rocker, lead singer Rhian Teasdale gives mouth-to-mouth of the lyrical variety as she intones, "Are you the one?/ My ride or die/ When I'm with you, I feel alive/ Is it fun? Is this a vibe?" before declaring, "Yeah I'm in love/ And you're to blame" over and over on the climaxing outro. 

Addison Rae continues her red-hot bid for pop stardom with "Fame is a Gun," the latest precursor to her upcoming debut album, Addison, which is set to be released June 6.

"Tell me who I am/ Do I provoke you with my tone/ Of innocence/ Don't ask too many questions/ That is my one suggestion," she sings in her girlish soprano, giving fans a front-row seat as she gleefully documents her rise to fame. The high-concept video accompanying the track adds an absurdist bent to the fantasy, filled with pet turtles, dead bodies in freezers and just a glimpse of that shiny, chrome gun.

Mariah Carey remains famously ageless, but the icon celebrates the 20th anniversary of her landmark 2005 album The Emancipation of Mimi with a massively festive, 40-track reissue.

For the 20th anniversary edition, the five-time GRAMMY winner has unearthed a plethora of bonus tracks, a capella cuts and remixes to complement the smash hit's original 14 tracks, including reimaginings by KAYTRANADA, Solange, Desert Storm and more.

Read More: Why Mariah Carey's 'The Emancipation Of Mimi' Is Iconic: Jermaine Dupri, Bryan-Michael Cox & Johntá Austin Weigh In

One year after remixing her 2024 single "Love Bites" featuring Tove Lo and SG Lewis, Don Diablo reteams with Nelly Furtado for the hypnotic "Doing Nothin'."

Furtado leads a parking lot dance-a-thon on the track as her tossed off invitation to join the party gets flipped, repeated and refracted by Diablo over a sumptuous synths, sirens and a bouncing bass line.

Slaughter to Prevail and BABYMETAL's new collaboration, "SONG 3," is the mashup of metalheads' dreams as the two acts join forces to create an unforgettable fusion of their fiery, cross-cultural styles.

SU-METAL, MOAMETAL and MOMOMETAL infuse the track with their signature brand of kawaii, counting in Korean over Slaughter to Prevail's churning, relentless instrumentation and backing vocals. In the music video, the Korean trio also play guide to a young version of the Russian deathcore band's masked frontman, Alex Terrible.

Read More: Get To Know BABYMETAL, Japan's Legendary Pop-Metal Trio

On "Zombie," YUNGBLUD channels his pain and insecurity into a desperate plea, asking a love interest, "Would you even want me, want me, want me?" before daydreaming about catching a spaceship to the moon and blasting away from this floating rock that he sees as "just a figment of the fools."

The vulnerable track follows "Hello Heaven, Hello" and "Lovesick Lullaby" as the third single off the British artist's upcoming album Idols, which is slated for release on June 20 via Capitol Records. 

With "Drunk Right Now (Na Na Na)," rising country star Josh Ross transforms the bones of Akon's top 10 hit "Right Now (Na Na Na)" into a desperate country-fied quest to drown his sorrows in something top shelf.

However, the track does more than interpolate the melody of Akon's 2008 single, as the Senegalese-American singer pops up on the second verse to lend Ross a commiserating shoulder to cry on.