Music icon, funk pioneer and artistic trailblazer Sly Stone passed away on June 9 at the age of 82. Stone's immense impact ricocheted throughout generations, altered the charts, and broke barriers — both as the frontman for his superstar eponymous group Sly and the Family Stone, and as a singular figure all his own.

Calling his influence "undeniable," his family said in a statement: "While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come."

It’s a legacy that included a GRAMMY nomination as well as a Recording Academy Lifetime Achievement Award for his immense discography of funky, danceable and thought-provoking hits — several of which have been inducted into the GRAMMY Hall of Fame. Listen to the opening chords of "Dance to the Music" and it’s impossible not to do just that, while "Everyday People" is a classic earworm with a message and speaks to Stone’s penchant for barrier breaking. (After all, the frontman led the first commercially-successful interracial band.) Can a sweltering season go by without listening to "Hot Fun in the Summertime"? Meanwhile, "Thank You (Falettinme Be Mice Elf Agin)" was also the title of his recent memoir. 

"We are deeply saddened by the passing of Recording Academy Lifetime Achievement Award Honoree, Sly Stone, a musician, songwriter, and record producer whose music touched the lives of fans around the world," said Recording Academy CEO Harvey Mason jr

"The passion, creativity, and unique voice of Sly and the Family Stone will be greatly missed but always cherished. We extend our heartfelt condolences to Sly’s family, friends, and all who were inspired by his work," Mason jr continued. "His legacy will continue to live on through the powerful music he shared with us. The Academy is honored to have been a part of his journey, and he will remain forever in our hearts."

Read more: 9 Things We Learned From Sly Stone's New Memoir 'Thank You (Falettinme Be Mice Elf Agin)'

"Sly’s artistry influenced so many of our important creative talents," said Clive Davis of Stone, while KISS’ Paul Stanley noted on X that Sly and the Family Stone were "a freight train of bombastic, joyous souI that would soon climb the charts and change the sound of R&B for so many other artists." 

Ahmir Questlove Thompson, who directed the 2025 documentary Sly Lives! (aka The Burden Of Black Genius), reflected on Stone's eternal impact. "Sly Stone, born Sylvester Stewart, left this earth today, but the changes he sparked while here will echo forever," the multihyphenate wrote on Instagram. "His work looked straight at the brightest and darkest parts of life and demanded we do the same."

In ways big and small, Sly Stone leaves behind an immense body of work which forever changed how the public at large danced to the music. Here are five examples of the myriad ways the artist influenced culture at large. 

He Broke Racial Barriers

Contrary to its name, his Family Stone band only included two actual blood relatives: siblings Freddie and Rose. Rounding out the rousing group were musicians Greg Errico on drums while Jerry Martini took up the sax, all flanked by bassist Larry Graham. The ragtag group holds the stunning distinction as being the very first racially-integrated, mixed-gender line up.

"We were like a little United Nations," said Freddie in a 2014 interview. "It was the heartbeat of the people…. Because you got a girl playing trumpet, it’s not just a girl playing trumpet but what it represented for the ladies. It’s who we all represented."

The idea to mix up people from all walks of life (which he’d famously later sing about in the aforementioned "Everyday People") stems, in part, from his time as a DJ on San Francisco's KSOL and KDIA AM radio. The Texas-born, Vallejo, California-raised artist helped integrate KDIA, fearlessly mixing in Black acts along with names like the Beatles and the Rolling Stones in his DJ sets. 

"I played Dylan, Lord Buckley, the Beatles. Every night I tried something else," he told Rolling Stone in 1970.

He Was An Ace Musician & Innovative Producer

Before he founded Sly and the Family Stone in 1967, the frontman was a San Francisco-based producer who dabbled in multiple genres, most notably producing future Jefferson Airplane star’s Grace Slick’s first band The Great Society. He also played keyboard for a who’s-who of the biggest stars of the early '60s, among them Marvin Gaye, Dionne Warwick, and the Ronettes

"Sly created the alphabet that we are still using to express music," Questlove told the Philadelphia Tribune, reflecting on Stone's production prowess. "He was the first to take advantage of being a bedroom musician, multi-track recording, the wah-wah, the drum machine, and doing everything by himself. We praise Stevie Wonder and Prince for these things, but Sly was the prototype."

He Helped Mainstream Funk Music

Along with James Brown, Stone is one of the fathers of funk; a steward of the genre that exploded thanks to his prowess.

The future superstar combined elements of the many genres swirling around the Bay Area and throughout the country — from Motown to psychedelia and jazz. Stone mixed those influences in a musical stew, added a dash of hippie ideology, and a heaping helping of what can only be described as a "far out" sartorial image. The result was a unique avenue of funk unlike that of his contemporaries, which would only become more multifaceted over the course of the Family Stone's discography. 

At Woodstock, Sly and the Family Stone created a throughline between hippies and future funk fans. The band's early-morning set on the final day of the festival culminated with the crowd demanding two encores.

In Stone's footsteps walked the likes of George Clinton, whose Parliament Funkadelic was directly inspired by Stone’s impact and similarly taught other artists there were no rules. 

"Sly did so many things so well that he turned my head all the way around," Clinton once said. "He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band." 

Back home in the Bay Area, Stone’s funk-driven sound echoed through the region. Local acts like Tower of Power formed in the immediate aftermath of the Family Stone and released music with a direct influence (see 1972's "Soul Vaccination").

"I believe Sly changed the way soul singers ever afterward would sing and we, all of us in music today, owe a great deal to his influence on our music," ToP bandleader Emilio Castillo recently wrote on Instagram. "He greatly influenced the way I approach rhythm and also the way we in Tower of Power approach live performance."

The critic Joel Selvin put it succinctly: "There are two types of Black music: before Sly Stone and after Sly Stone." 

He Had A Genre-Spanning Influence

Stone’s musical influence knew no bounds outside of the star’s own career. Jazz icon Miles Davis once referred to Stone as "my only peer" and said his 1972 album On the Corner can be traced directly to Stone. Herbie Hancock offered similar praise, even dedicating his 1973 song "Sly" to the late legend.

Sly Stone had a hand in the proliferation of hip-hop, with Questlove going so far to say that he "single-handedly revived hip-hop with all of the samples that came from him." By one count, his music has been sampled over 800 times in hip-hop. LL Cool J constructed his hit "Mama Said Knock You Out" around "Trip To Your Heart";

A Tribe Called Quest’s first single, "Description of a Fool," samples "Runnin’ Away"Tupac's "Temptations" features a Sly cut. More recently, the Black Eyed Peas sampled Sly and Kendrick Lamar's "Momma"  (from the GRAMMY-winning To Pimp a Butterfly) sampled the Family Stone's 1974 track "Wishful Thinkin'."

In the dance and R&B realms, Stone’s tracks have been heavily sampled and interpolated as well. Take one listen to Fatboy Slim’s signature "Weapon of Choice," and you’ll find it features Stone's "Into My Own Thing" from 1968. Same goes for Janet Jackson (her pulsating "Rhythm Nation") and Madonna’s early '80s jam "Everybody."

Stone's influence is, of course, heard in contemporary funk. North Bay psych-funk group Monophonics were also born in the afterfunk of the Family Stone. The group's third studio album, In Your Brain, features "There's A Riot Going On" is ostensibly a tribute to the Family Stone album of the same name.

Sly Stone's Legacy Continues To Unfold

It’s a bittersweet fact that after years of reclusiveness, Sly Stone's genius was again being reevaluated and appreciated. In addition to the aforementioned memoir and Sly Lives!, Sly and the Family Stone's earliest live recordings will be released in mid-July.

The First Family: Live At Winchester Cathedral 1967 "showcase[s] a one-of-kind outfit that was already at the peak of its powers, long before it became internationally famous," producer Alex Palao said in a release. "Sly is fully in command, while the unique arrangements and tighter-than-tight ensemble playing point clearly to the road ahead, and the enduring influence of Sly & The Family Stone's music."

It seems that, even posthumously, Sly Stone will be receiving his flowers. For a groundbreaking artist whose journey to the heights of stardom, then reclusiveness and back to prominence, it's clear that Sylvester Stone was one of a kind.  

"I never lived a life I didn’t want to live," the renegade told The Guardian in 2023.