36th Annual GRAMMY Awards | 1994
Whitney Houston was already a star for many years by the time of the 35th Annual Grammy Awards, winning her first Grammy eight years earlier. Yet it was this night that represented a stunning high point in Houston’s career. The singer and newly popular actress opened the show with a breathtakingly glamorous and suitably movie star-like performance of “I Will Always Love You” — the Dolly Parton classic Houston made her own on The Bodyguard soundtrack. Throughout the night, the audience would get to see a lot more of Houston — in the end, she won the awards for Record Of The Year, Album Of The Year, and Best Pop Vocal Performance, Female, while her producer, David Foster, took home the award for Producer Of The Year.
There were other notable winners at the 35th Annual Grammy Awards show, including Toni Braxton, who won Best New Artist and actually triumphed over Houston in the Best R&B Vocal Performance, Female, category (“Another Sad Love Song”). It was also an extremely animated evening for composer Alan Menken, who won four awards for music connected to the animated movie smash Aladdin: Song Of The Year for “A Whole New World” (sung by Regina Belle and Peabo Bryson), which Menken wrote with Tim Rice; Best Musical Album For Children; Best Instrumental Composition For A Motion Picture Or For Television; and Best Song Written Specifically For A Motion Picture Or For Television.
But it was the fascinating mutual admiration society of U2’s Bono and Frank Sinatra that created a good deal of buzz regarding this Grammy night. First, Bono surprised many by dropping the “F-bomb” into his solo acceptance speech for the Best Alternative Music Album award for Zooropa. Perhaps surprised to have won the award over such nominees as Nirvana, R.E.M. and the Smashing Pumpkins, Bono proclaimed, “I think I’d like to give a message to the young people of America — and that is we shall continue to abuse our position and fuck up the mainstream. God bless you.”
Later, Bono would strike a different tone in presenting Frank Sinatra with his Grammy Legend Award. Bono began his brilliant tone poem salute like this:
“Frank never did like rock and roll. He’s not crazy about guys wearing earrings either, but he doesn’t hold it against me and, anyway, the feeling is not mutual. Rock and roll people love Frank Sinatra because Frank Sinatra’s got what we want: swagger and attitude. He’s big on attitude, serious attitude, bad attitude. Frank’s Chairman of the Bad. Rock and roll plays at being tough, but this guy, well, he’s the Boss. The Boss of Bosses. The Man. The Big Bang of Pop. I’m not gonna mess with him, are you?”
Sinatra’s own comments would prove significantly more controversial. Sinatra — now approaching the age of 80 — was clearly moved by the huge standing ovation that he received — a reaction that seemed in the moment like a massive expression of respect and multigenerational reckoning. “Thank you very much,” he said when he finally spoke. “That’s the best welcome I ever had.” Sinatra’s comments from then on were a fascinating mix of vintage Rat Pack jokes (“This is more applause than Dean heard in his whole career”), personal thanks to his wife Barbara and even hurt feelings that he was not being asked to sing on this night. Yet for the record, even the aging Chairman’s rambling revealed singular phrasing.
Controversy ensued when Sinatra was cut off and the broadcast was taken to a commercial break before wrapping things up. Later The Academy let it be known that the decision had come from Sinatra’s camp, but the impression of disrespect had already been made. Even the Grammy host felt the need to distance himself on air from the decision, albeit with a memorable wink in the end. “Before I go on, I think you’d join me going on record that Mr. Sinatra should have finished his speech,” Garry Shandling told the audience. “I think that was a slight mistake. This is live television and I’m sure Mr. Sinatra will get even by cutting this show off in another hour.”
Sinatra wasn’t the only legend honored this night. Danny Glover set the stage before Lifetime Achievement Award honoree Aretha Franklin performed “(You Make Me Feel Like) A Natural Woman,” noting that “There’s been a 27-year love affair going on between the Grammy voters and the Queen of Soul…[which] has produced offspring in the shape of Grammys numbering 15 so far.” Upon receiving her award, Franklin proclaimed, “I’m happy. I’m honored. I’m humbled.”
One of the true kings of soul — Curtis Mayfield — was also honored by a suitably soulful medley of his hits performed by Bruce Springsteen, Bonnie Raitt, B.B. King, Steve Winwood, Vernon Reid, Steve Cropper, Narada Michael Walden, and Tony! Toni! Toné! before receiving a richly deserved GRAMMY Legend Award, followed by an all-together fitting version of “Amen.”
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The Bodyguard - Original Soundtrack Album
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Automatic For The People (Album)
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Kamakiriad (Album)
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River Of Dreams (Video)
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Ten Summoner's Tales (Album)
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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I Will Always Love You
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A Whole New World (Aladdin's Theme) (Single)
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Harvest Moon (Single)
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If I Ever Lose My Faith In You (Single)
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The River Of Dreams (Single)
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A Whole New World (Aladdin's Theme)
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Harvest Moon (Single)
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I'd Do Anything For Love (But I Won't Do That) (Single)
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If I Ever Lose My Faith In You (Single)
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The River Of Dreams (Single)
Winners
| Category | Winner | Nomination | Actions |
|---|---|---|---|
| Album Of The Year | Whitney Houston | The Bodyguard - Original Soundtrack Album | All Nominees |
| Best Album Notes | Buck Clayton, Phil Schaap, Joel E. Siegel | The Complete Billie Holiday On Verve 1945-1959 | All Nominees |
| Best Alternative Music Album | U2 | Zooropa | All Nominees |
| Best Arrangement, Instrumental or A Cappella | Dave Grusin | Mood Indigo | All Nominees |
| Best Arrangement, Instruments and Vocals | David Foster, Jeremy Lubbock | When I Fall In Love | All Nominees |
| Best Audio Book, Narration, and Storytelling Recording | Maya Angelou | On The Pulse Of Morning | All Nominees |
| Best Bluegrass Album | Nashville Bluegrass Band | Waitin' For The Hard Times To Go | All Nominees |
| Best Choral Performance | Pierre Boulez | Bartók: Cantata Profana | All Nominees |
| Best Classical Solo Vocal Album | Arleen Auger | The Art Of Arleen Auger (Works Of Larsen, Purcell, Schumann, Mozart) | All Nominees |
| Best Comedy Album | George Carlin | Jammin' In New York | All Nominees |
| Best Contemporary Blues Album | Buddy Guy | Feels Like Rain | All Nominees |
| Best Contemporary Classical Composition | Elliott Carter | Carter: Violin Concerto | All Nominees |
| Best Country Song | Lucinda Williams | Passionate Kisses | All Nominees |
| Best Engineered Album, Classical | Rainer Maillard | Bartók: The Wooden Prince & Cantata Profana | All Nominees |
| Best Engineered Album, Non-Classical | Hugh Padgham | Ten Summoner's Tales | All Nominees |
| Best Gospel Choir Or Chorus Album | Carol Cymbala | Live...We Come Rejoicing | All Nominees |
| Best Historical Album | Michael Lang, Phil Schaap | The Complete Billie Holiday On Verve 1945-1959 | All Nominees |
| Best Instrumental Composition | Kenny G | Forever In Love | All Nominees |
| Best Jazz Instrumental Album | Joe Henderson | So Near, So Far (Musings For Miles) | All Nominees |
| Best Jazz Performance | Joe Henderson | Miles Ahead | All Nominees |
| Best Jazz Vocal Album | Natalie Cole | Take A Look | All Nominees |
| Best Large Jazz Ensemble Album | Miles Davis, Quincy Jones | Miles And Quincy Live At Montreux | All Nominees |
| Best Latin Pop Album | Luis Miguel | Aries | All Nominees |
| Best Male Rock Vocal Performance | Meat Loaf | I'd Do Anything For Love (But I Won't Do That) | All Nominees |
| Best Metal Performance | Ozzy Osbourne | I Don't Want To Change The World | All Nominees |
| Best Music Film | Sting | Ten Summoner's Tales | All Nominees |
| Best Music Video | Peter Gabriel | Steam | All Nominees |
| Best Musical Theater Album | Pete Townshend, George Martin | The Who's Tommy | All Nominees |
| Best New Age, Ambient, or Chant Album | Paul Winter Consort, Paul Winter | Spanish Angel | All Nominees |
| Best New Artist | Toni Braxton | All Nominees | |
| Best Opera Recording | John Aler, Kathleen Battle, Michael Chance, Mark S. Doss, Marilyn Horne, Neil Mackie, Sylvia McNair, Samuel Ramey, John Nelson, Steven Paul | Handel: Semele | All Nominees |
| Best Orchestral Performance | Pierre Boulez | Bartók: The Wooden Prince | All Nominees |
| Best Polka Album | Walter Ostanek | Accordionally Yours | All Nominees |
| Best R&B Song | Janet Jackson, Jimmy Jam, Terry Lewis | That's The Way Love Goes | All Nominees |
| Best Recording Package | David Lau | The Complete Billie Holiday On Verve 1945-1959 | All Nominees |
| Best Reggae Album | Inner Circle | Bad Boys | All Nominees |
| Best Regional Mexican Album | Selena | Live | All Nominees |
| Best Rock Song | David Pirner | Runaway Train | All Nominees |
| Best Score Soundtrack For Visual Media (Includes Film And Television) | Alan Menken | Aladdin | All Nominees |
| Best Song Written For Visual Media | Alan Menken, Tim Rice | A Whole New World (Aladdin's Theme) (From Aladdin) | All Nominees |
| Best Traditional Blues Album | B.B. King | Blues Summit | All Nominees |
| Best Traditional Pop Vocal Album | Tony Bennett | Steppin' Out | All Nominees |
| Best Tropical Latin Album | Gloria Estefan | Mi Tierra | All Nominees |
| Chamber Music Performance | Emerson String Quartet, Eugene Drucker, Lawrence Dutton, David Finckel, Philip Setzer | Ives: String Quartets Nos. 1, 2/Barber: String Quartet Op. 11 (American Originals) | All Nominees |
| Classical Album | Pierre Boulez, John Aler, John Tomlinson, Karl-August Naegler | Bartók: The Wooden Prince & Cantata Profana | All Nominees |
| Contemporary Folk Album | Nanci Griffith | Other Voices/Other Rooms | All Nominees |
| Contemporary Jazz Album | Pat Metheny, Pat Metheny Group | The Road To You | All Nominees |
| Contemporary R&B Gospel Album | Winans | All Out | All Nominees |
| Country Collaboration With Vocal | Reba McEntire, Linda Davis | Does He Love You | All Nominees |
| Country Instrumental Performance | Asleep At The Wheel, Eldon Shamblin, Johnny Gimble, Chet Atkins, Vince Gill, Marty Stuart, Reuben "Lucky Oceans" Gosfield, Lucky Oceans | Red Wing | All Nominees |
| Country Performance By A Duo Or Group With Vocals | Brooks & Dunn | Hard Workin' Man | All Nominees |
| Female Country Vocal Performance | Mary Chapin Carpenter | Passionate Kisses | All Nominees |
| Female Pop Vocal Performance | Whitney Houston | I Will Always Love You | All Nominees |
| Female R&B Vocal Performance | Toni Braxton | Another Sad Love Song | All Nominees |
| Hard Rock Performance | Stone Temple Pilots | Plush | All Nominees |
| Instrumental Soloist Performance (without Orchestr | John Browning | Barber: The Complete Solo Piano Music | All Nominees |
| Instrumental Soloist(s) Performance (with Orchestr | Anne-Sophie Mutter | Berg: Violin Concerto/Rihm: Time Chant | All Nominees |
| Male Country Vocal Performance | Dwight Yoakam | Ain't That Lonely Yet | All Nominees |
| Male Pop Vocal Performance | Sting | If I Ever Lose My Faith In You | All Nominees |
| Male R&B Vocal Performance | Ray Charles | A Song For You | All Nominees |
| Musical Album For Children | (Various Artists) | Aladdin - Original Motion Picture Soundtrack | All Nominees |
| Pop Instrumental Performance | Bruce Hornsby, Branford Marsalis | Barcelona Mona | All Nominees |
| Pop Performance By A Duo Or Group With Vocals | Peabo Bryson, Regina Belle | A Whole New World (Aladdin's Theme) | All Nominees |
| Pop/Contemporary Gospel Album | Steven Curtis Chapman | The Live Adventure | All Nominees |
| Producer Of The Year, Classical | Judith Sherman | All Nominees | |
| Producer Of The Year, Non-Classical | David Foster | All Nominees | |
| R&B Performance By A Duo Or Group With Vocals | Sade | No Ordinary Love | All Nominees |
| Rap Duo/Group Performance | Digable Planets | Rebirth Of Slick (Cool Like Dat) | All Nominees |
| Rap Solo Performance | Dr. Dre | Let Me Ride | All Nominees |
| Record Of The Year | Whitney Houston | I Will Always Love You | All Nominees |
| Rock Instrumental Performance | Steve Vai | Sofa | All Nominees |
| Rock Or Rap Gospel Album | dc Talk | Free At Last | All Nominees |
| Rock Performance By A Duo Or Group With Vocals | Aerosmith | Livin' On The Edge | All Nominees |
| Song Of The Year | Alan Menken, Tim Rice | A Whole New World (Aladdin's Theme) | All Nominees |
| Southern, Country, Or Bluegrass Gospel Album | Kathy Mattea | Good News | All Nominees |
| Spoken Word Album For Children | Audrey Hepburn | Audrey Hepburn's Enchanted Tales | All Nominees |
| Traditional Folk Album | The Chieftains | The Celtic Harp | All Nominees |
| Traditional Gospel Album | Shirley Caesar | Stand Still | All Nominees |
| Traditional World Music Album | Ry Cooder, V.M. Bhatt | A Meeting By The River | All Nominees |