33rd Annual GRAMMY Awards | 1991
The grunge revolution was just about to hit the music world, but the 33rd Annual GRAMMY Awards were about more than just teen spirit. Quincy Jones took home the Album Of The Year for his blockbuster Back On The Block album, while Roy Orbison posthumously won the GRAMMY for Best Pop Vocal Performance, Male, for a re-recording of his classic “Oh, Pretty Woman.” At the same time, younger artists had breakout years, including Mariah Carey, who won the Best New Artist GRAMMY as well as Best Pop Vocal Performance, Female (“Vision Of Love”), and Living Colour, who took home the GRAMMY for Best Hard Rock Performance (“Time’s Up”).
Then there’s the man who had 10 nominations for the night, ultimately winning one big award for Record Of The Year: Phil Collins for “Another Day In Paradise.” It was a good thing that the former Genesis drummer won one as he was becoming a GRAMMY fixture. In his opening monologue at Radio City Music Hall, host Garry Shandling dryly explained, “If you at home want to know, by the way, how they decide each year where to hold the GRAMMYs, it’s simply wherever Phil Collins is already performing.”
With the Persian Gulf War going on, Shandling then made his very own special contribution to the wartime effort. “This is going tonight…to our troops in the Middle East,” the host told the audience. “Fellas, we’ll try to get as many tight shots of Chynna Phillips and Mariah Carey as we can, alright? And for you women in the Gulf, of course, we have Richard Gere and myself you can look at.”
Richard Gere was indeed in attendance to emcee the Lifetime Achievement Award tribute that included Tracy Chapman playing “Imagine” at the piano and Aerosmith rocking up “Come Together” to honor John Lennon. Gere explained that Lennon was being honored “for redefining the subject matter and musical content of popular music and for his extraordinary ability as a musician, singer, songwriter, philosopher, communicator and activist for peace, love and understanding and might I say total nonviolence.” Yoko Ono accepted the award and spoke to the moment. “Pray for the safety and health of this beautiful planet,” she said. “John Lennon would have liked that.” In accepting the Song Of The Year GRAMMY for the spiritually minded “From A Distance” — which Bette Midler made a smash — songwriter Julie Gold made another memorable plea: “To the soldiers everywhere, we pray for your speedy return. We pray for peace on earth.”
You might have thought that Quincy Jones would have been used to winning GRAMMY Awards, but winning Album Of The Year clearly meant a lot to him. “I’ve been in this Academy since 1958 and this is the first time I even dared thinking about having a GRAMMY under my own name, and I’m so proud.” Jones went on to mention the age difference between himself and one of the members of Wilson Phillips, nominated in the same category along with albums by Phil Collins, Mariah Carey and MC Hammer. “When Chynna Phillips was about six months old, Jack Nicholson used to bring her around the house and now we’re in the same category,” he said with a smile. “I was about to retire.” Jones had a great night overall: In addition to Album Of The Year, he took home GRAMMYs for Best Arrangement On An Instrumental and Best Jazz Fusion Performance (“Birdland”), Best Instrumental Arrangement Accompanying Vocal (“The Places You Find Love”), and Best Rap Performance By A Duo Or Group (“Back On The Block”) and Producer Of The Year — Non-Classical.
The most eloquent words of the night actually came from Nicholson, who introduced Bob Dylan’s performance of “Masters Of War” and presented him with his Lifetime Achievement Award. Of the man he lovingly called “Uncle Bobby,” Nicholson said this: “He’s been called everything from the voice of his generation to the conscience of the world. He rejects both titles and any others that try to categorize him or analyze him. He opened the doors of pop music wider than anybody else, yet returned time and again to the simplicity of basic chords and emotions to express himself. He’s been and still is a disturber of the peace — his own as well as ours.”
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Back On The Block
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...But Seriously (Album)
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Mariah Carey (Album)
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Please Hammer Don't Hurt 'Em (Album)
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Wilson Phillips (Album)
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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Another Day In Paradise
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From A Distance (Single)
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Nothing Compares 2 U (Single)
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U Can't Touch This (Single)
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Vision Of Love (Single)
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From A Distance
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Another Day In Paradise
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Hold On (Single)
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Nothing Compares 2 U (Single)
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Vision Of Love (Single)
Winners
| Category | Winner | Nomination | Actions |
|---|---|---|---|
| Album Of The Year | Quincy Jones | Back On The Block | All Nominees |
| Best Album For Children | (Various Artists) | The Little Mermaid | All Nominees |
| Best Album Notes | Dan Morgenstern | Brownie - The Complete Emarcy Recordings Of Clifford Brown | All Nominees |
| Best Alternative Music Album | Sinéad O'Connor | I Do Not Want What I Haven't Got | All Nominees |
| Best Arrangement, Instrumental or A Cappella | Jerry Hey, Quincy Jones, Ian Prince, Rod Temperton | Birdland | All Nominees |
| Best Arrangement, Instruments and Vocals | Glen Ballard, Jerry Hey, Quincy Jones, Clif Magness | The Places You Find Love | All Nominees |
| Best Audio Book, Narration, and Storytelling Recording | George Burns | Gracie - A Love Story | All Nominees |
| Best Bluegrass Album | Alison Krauss | I've Got That Old Feeling | All Nominees |
| Best Choral Performance | Robert Shaw | Walton: Belshazzar's Feast/Bernstein: Chichester Psalms; Missa Brevis | All Nominees |
| Best Classical Solo Vocal Album | Jose Carreras, Placido Domingo & Luciano Pavarotti | Carreras, Domingo, Pavarotti In Concert | All Nominees |
| Best Comedy Album | Peter Schickele | P.D.Q. Bach: Oedipus Tex And Other Choral Calamities | All Nominees |
| Best Contemporary Blues Album | Vaughan Brothers | Family Style | All Nominees |
| Best Contemporary Classical Composition | Leonard Bernstein | Bernstein: Arias & Barcarolles | All Nominees |
| Best Country Song | Don Henry, Jon Vezner | Where've You Been | All Nominees |
| Best Engineered Album, Classical | Jack Renner | Rachmaninoff: Vespers | All Nominees |
| Best Engineered Album, Non-Classical | Bruce Swedien | Back On The Block | All Nominees |
| Best Female Rock Vocal Performance | Alannah Myles | Black Velvet | All Nominees |
| Best Gospel Choir Or Chorus Album | James Cleveland | Having Church | All Nominees |
| Best Historical Album | Robert Johnson | Robert Johnson - The Complete Recordings | All Nominees |
| Best Instrumental Composition | Pat Metheny | Change Of Heart | All Nominees |
| Best Jazz Fusion Performance | Quincy Jones | Birdland | All Nominees |
| Best Jazz Instrumental Album | Oscar Peterson Trio, Oscar Peterson | The Legendary Oscar Peterson Trio Live At The Blue Note | All Nominees |
| Best Jazz Performance | Oscar Peterson | The Legendary Oscar Peterson Trio Live At The Blue Note | All Nominees |
| Best Jazz Vocal Performance, Female | Ella Fitzgerald | All That Jazz | All Nominees |
| Best Jazz Vocal Performance, Male | Harry Connick, Jr. | We Are In Love | All Nominees |
| Best Large Jazz Ensemble Album | Frank Foster | Basie's Bag | All Nominees |
| Best Latin Pop Album | Jose Feliciano | Por Que Te Tengo Que Olvidar? | All Nominees |
| Best Male Rock Vocal Performance | Eric Clapton | Bad Love | All Nominees |
| Best Metal Performance | Metallica | Stone Cold Crazy | All Nominees |
| Best Music Film | M.C. Hammer | Please Hammer Don't Hurt 'Em - The Movie | All Nominees |
| Best Music Video | Paula Abdul | Opposites Attract | All Nominees |
| Best Musical Theater Album | David Caddick | Les Miserables - The Complete Symphonic Recording | All Nominees |
| Best New Age, Ambient, or Chant Album | Mark Isham | Mark Isham | All Nominees |
| Best New Artist | Mariah Carey | All Nominees | |
| Best Opera Recording | Siegfried Jerusalem, Christa Ludwig, Kurt Moll, James Morris, Jan Hendrik Rootering, Ekkehard Wlaschiha, Heinz Zednik, James Levine, Cord Garben | Wagner: Das Rheingold | All Nominees |
| Best Orchestral Performance | Leonard Bernstein | Shostakovich: Symphonies Nos. 1 & 7 | All Nominees |
| Best Polka Album | Jimmy Sturr | When It's Polka Time At Your House | All Nominees |
| Best R&B Song | M.C. Hammer, Rick James, Alonzo Miller | U Can't Touch This | All Nominees |
| Best Recording Package | Jeff Gold, Len Peltier, Suzanne Vega | Days Of Open Hand | All Nominees |
| Best Reggae Album | Bunny Wailer | Time Will Tell - A Tribute To Bob Marley | All Nominees |
| Best Regional Mexican Album | Texas Tornados | Soy De San Luis | All Nominees |
| Best Score Soundtrack For Visual Media (Includes Film And Television) | James Horner | Glory | All Nominees |
| Best Song Written For Visual Media | Howard Ashman, Alan Menken | Under The Sea (From The Little Mermaid) | All Nominees |
| Best Traditional Blues Album | B.B. King | Live At San Quentin | All Nominees |
| Best Tropical Latin Album | Tito Puente | Lambada Timbales | All Nominees |
| Chamber Music Performance | Daniel Barenboim, Itzhak Perlman | Brahms: The Three Violin Sonatas | All Nominees |
| Classical Album | Leonard Bernstein, Hans Weber | Ives: Sym. No. 2; Gong On The Hook And Ladder; Central Park In The Dark; The Unanswered Question | All Nominees |
| Contemporary Folk Album | Shawn Colvin | Steady On | All Nominees |
| Contemporary R&B Gospel Album | Take 6 | So Much 2 Say | All Nominees |
| Country Collaboration With Vocal | Chet Atkins, Mark Knopfler | Poor Boy Blues | All Nominees |
| Country Instrumental Performance | Chet Atkins, Mark Knopfler | So Soft, Your Goodbye | All Nominees |
| Country Performance By A Duo Or Group With Vocals | Kentucky Headhunters | Pickin' On Nashville | All Nominees |
| Female Country Vocal Performance | Kathy Mattea | Where've You Been | All Nominees |
| Female Pop Vocal Performance | Mariah Carey | Vision Of Love | All Nominees |
| Female R&B Vocal Performance | Anita Baker | Compositions | All Nominees |
| Hard Rock Performance | Living Colour | Time's Up | All Nominees |
| Instrumental Soloist Performance (without Orchestr | Vladimir Horowitz | The Last Recording | All Nominees |
| Instrumental Soloist(s) Performance (with Orchestr | Itzhak Perlman | Shostakovich: Violin Concerto No. 1 In A Minor/Glazunov: Violin Concerto In A Minor | All Nominees |
| Male Country Vocal Performance | Vince Gill | When I Call Your Name | All Nominees |
| Male Pop Vocal Performance | Roy Orbison | Oh Pretty Woman | All Nominees |
| Male R&B Vocal Performance | Luther Vandross | Here And Now | All Nominees |
| Pop Instrumental Performance | Angelo Badalamenti | Twin Peaks Theme | All Nominees |
| Pop Performance By A Duo Or Group With Vocals | Linda Ronstadt, Aaron Neville | All My Life | All Nominees |
| Pop/Contemporary Gospel Album | Sandi Patti | Another Time... Another Place | All Nominees |
| Producer Of The Year, Classical | Adam Stern | All Nominees | |
| Producer Of The Year, Non-Classical | Quincy Jones | All Nominees | |
| R&B Performance By A Duo Or Group With Vocals | Ray Charles, Chaka Khan | I'll Be Good To You | All Nominees |
| Rap Duo/Group Performance | Melle Mel, Ice-T, Big Daddy Kane, Kool Moe Dee, Quincy Jones, Quincy D. III | Back On The Block | All Nominees |
| Rap Solo Performance | M.C. Hammer | U Can't Touch This | All Nominees |
| Record Of The Year | Phil Collins | Another Day In Paradise | All Nominees |
| Rock Instrumental Performance | Vaughan Brothers | D/FW | All Nominees |
| Rock Or Rap Gospel Album | Petra | Beyond Belief | All Nominees |
| Rock Performance By A Duo Or Group With Vocals | Aerosmith | Janie's Got A Gun | All Nominees |
| Song Of The Year | Julie Gold | From A Distance | All Nominees |
| Southern, Country, Or Bluegrass Gospel Album | Bruce Carroll | The Great Exchange | All Nominees |
| Traditional Folk Album | Doc Watson | On Praying Ground | All Nominees |
| Traditional Gospel Album | Tramaine Hawkins | Tramaine Hawkins Live | All Nominees |