28th Annual GRAMMY Awards | 1986
There was no sign declaring “Check Your Ego At The Door” before the 28th Annual GRAMMY Awards ceremony, but USA For Africa, the historic all-star benefit for African relief, enjoyed Record Of The Year, Song Of The Year, Best Pop Performance By A Duo Or Group With Vocal and Best Music Video, Short Form, awards for “We Are The World.” However, this wide-ranging GRAMMY show began on a different, more somber musical and political note with Sting appearing in a tux before an orchestra to perform his Cold War commentary “Russians,” complete with its famous lyric, “I hope the Russians love their children too.”
Host Kenny Rogers, turning out in a rhinestone tux, noted that the past year wasn’t the first time the music industry had expressed its social conscience, before introducing a performance by one of the artists who ruled the mid-’80s, Phil Collins. Soon after, James Taylor and Linda Ronstadt presented Collins with the GRAMMY Award for Best Pop Vocal Performance, Male, for his No Jacket Required album. Collins’ other awards for the night were Album Of The Year and Producer Of The Year (with his then collaborator Hugh Padgham). Then Dionne Warwick — along with Julian Lennon — presented the Best Pop Vocal Performance, Female, to her niece Whitney Houston for “Saving All My Love For You.”
Accepting the Song Of The Year, reigning King of Pop Michael Jackson struck a grand note, saying, “I’d like to thank God…for choosing [co-writer] Lionel [Richie] and I to write ‘We Are the World.’”
Barbra Streisand offered a heartfelt presentation of a posthumous Trustees Award to the legendary songwriting team of George and Ira Gershwin. “Like the love in the last song they ever wrote together, their music is definitely here to stay,” Streisand noted, before Ira Gershwin’s widow, Leonore, graciously accepted the award.
Ronnie Milsap’s big country hit “Lost In The Fifties Tonight (In The Still Of The Night)” — which would win the GRAMMY for Best Country Vocal Performance, Male — became the jumping off point for an ambitious ’50s medley that featured Milsap, Fred Parris and the Five Satins, Carl Perkins and Huey Lewis & The News.
A salute to the Rolling Stones began with Kenny Rogers singing their praises, saying “They set a tone for rock music for the next generation that made it okay to play from your heart...and sometimes even lower.” Then Eric Clapton appeared via satellite with the Stones from the Roof Garden Club in London. “As far as I’m concerned, they are what rock and roll is all about — toughness and relentless to the very end,” Clapton said. Slowhand then presented the band with the Lifetime Achievement Award, noting they were “the most volatile and intact rock group to survive the ’60s. The band seemed to be having a very good night indeed, and Mick Jagger offered these words: “I’d like to say thank you to all the people that have stuck by this band through thick and thin. And to all the people that took the piss, the joke’s on you.”
The final award of the evening was Record Of The Year, and in accepting for “We Are The World,” producer Quincy Jones made reference to that famous “Check Your Ego At The Door” sign outside the recording sessions for the song. “It was never necessary,” Jones said warmly. And then he set the stage for many more such high-minded musical efforts in the future, saying, “I hope it becomes fashionable.”
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No Jacket Required
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Brothers In Arms (Album)
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The Dream Of The Blue Turtles (Album)
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We Are The World-USA For Africa/The Album (Album)
Chicago, Peter Cetera, Bill Champlin, Robert Lamm, Lee Loghnane, Walter Parazaider, Chris Pinnick, Danny Seraphine, Quincy Jones, Steve Perry, Bruce Springsteen
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Whitney Houston (Album)
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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Producer Of The Year
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We Are The World
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Born In The U.S.A. (Single)
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The Power Of Love (Single)
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Money For Nothing (Single)
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The Boys Of Summer (Single)
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We Are The World
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Everytime You Go Away (Single)
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I Want To Know What Love Is (Single)
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Money For Nothing (Single)
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The Boys Of Summer (Single)
Winners
| Category | Winner | Nomination | Actions |
|---|---|---|---|
| Album Of The Year | Phil Collins | No Jacket Required | All Nominees |
| Best Album For Children | Jim Henson | Follow That Bird - Original Motion Picture Soundtrack | All Nominees |
| Best Album Notes | Peter Guralnick | Sam Cooke Live At The Harlem Square Club, 1963 | All Nominees |
| Best Arrangement, Instrumental or A Cappella | Dave Grusin, Lee Ritenour | Early A.M. Attitude | All Nominees |
| Best Arrangement, Instruments and Vocals | Nelson Riddle | Lush Life | All Nominees |
| Best Audio Book, Narration, and Storytelling Recording | (Original Broadway Cast) | Ma Rainey's Black Bottom | All Nominees |
| Best Choral Performance | Robert Shaw | Berlioz: Requiem | All Nominees |
| Best Classical Solo Vocal Album | John Aler, tenor | Berlioz: Requiem | All Nominees |
| Best Comedy Album | Whoopi Goldberg | Whoopi Goldberg - Original Broadway Show Recording | All Nominees |
| Best Contemporary Classical Composition | Andrew Lloyd Webber | Lloyd Webber: Requiem | All Nominees |
| Best Country Song | Jimmy L. Webb | Highwayman | All Nominees |
| Best Engineered Album, Classical | Jack Renner | Berlioz: Requiem | All Nominees |
| Best Engineered Album, Non-Classical | Neil Dorfsman | Brothers In Arms | All Nominees |
| Best Female Rock Vocal Performance | Tina Turner | One Of The Living | All Nominees |
| Best Gospel Vocal Performance By A Duo, Group, Choir Or Chorus | Sandi Patti, Larnelle Harris | I've Just Seen Jesus | All Nominees |
| Best Gospel Vocal Performance, Female | Amy Grant | Unguarded | All Nominees |
| Best Gospel Vocal Performance, Male | Larnelle Harris | How Excellent Is Thy Name | All Nominees |
| Best Historical Album | John Pfeiffer | RCA/Met - 100 Singers - 100 Years | All Nominees |
| Best Inspirational Performance | Jennifer Holliday | Come Sunday | All Nominees |
| Best Instrumental Composition | Jan Hammer | Miami Vice Theme | All Nominees |
| Best Jazz Fusion Performance | David Sanborn | Straight To The Heart | All Nominees |
| Best Jazz Instrumental Album | Wynton Marsalis | Black Codes From The Underground | All Nominees |
| Best Jazz Performance | Wynton Marsalis | Black Codes From The Underground | All Nominees |
| Best Jazz Vocal Performance, Duo Or Group | Manhattan Transfer | Vocalese | All Nominees |
| Best Jazz Vocal Performance, Female | Cleo Laine | Cleo At Carnegie - The 10th Anniversary Concert | All Nominees |
| Best Jazz Vocal Performance, Male | Bobby McFerrin, Jon Hendricks | Another Night In Tunisia | All Nominees |
| Best Large Jazz Ensemble Album | John Barry, Bob Wilber | The Cotton Club - Original Motion Picture Soundtrack | All Nominees |
| Best Latin Pop Album | Lani Hall | Es Facil Amar | All Nominees |
| Best Male Rock Vocal Performance | Don Henley | The Boys Of Summer | All Nominees |
| Best Music Film | Huey Lewis | Huey Lewis & The News - The Heart Of Rock 'n' Roll | All Nominees |
| Best Music Video | Tom Trbovich, Quincy Jones | We Are The World - The Video Event | All Nominees |
| Best Musical Theater Album | John McClure | West Side Story | All Nominees |
| Best New Artist | Sade | All Nominees | |
| Best New Classical Artist | Chicago Pro Musica,chamber group | Stravinsky: L' Histoire Du Soldat (The Soldier's Tale - Suite) - (also) - Walton: Façade (An Instrumental Suite In The Original Scoring) | All Nominees |
| Best Opera Recording | Philip Langridge, Franz Mazura, Georg Solti, James Mallinson | Schoenberg: Moses Und Aron | All Nominees |
| Best Orchestral Performance | Robert Shaw | Faure: Pelleas Et Melisande | All Nominees |
| Best Polka Album | Frank Yankovic | 70 Years Of Hits | All Nominees |
| Best R&B Instrumental Performance | Ernie Watts | Musician | All Nominees |
| Best R&B Song | Jeffrey Cohen, Narada Michael Walden | Freeway Of Love | All Nominees |
| Best Recording Package | John Kosh, Ron Larson | Lush Life | All Nominees |
| Best Reggae Album | Jimmy Cliff | Cliff Hanger | All Nominees |
| Best Regional Mexican Album | Vikki Carr | Simplemente Mujer | All Nominees |
| Best Score Soundtrack For Visual Media (Includes Film And Television) | Marc Benno, Harold Faltermeyer, Keith Forsey, Micki Free, Jon Gilutin, Hawk, Howard Hewett, Bunny Hull, Howie Rice, Sharon Robinson, Dan Sembello, Sue Sheridan, Richard C. Theisen II, Allee Willis | Beverly Hills Cop | All Nominees |
| Best Soul Gospel Vocal Performance By A Duo, Group, Choir Or Chorus | Winans | Tomorrow | All Nominees |
| Best Soul Gospel Vocal Performance, Female, Male | Marvin Winans | Bring Back The Days Of Yea And Nay | All Nominees |
| Best Soul Gospel Vocal Performance, Male, Female | Shirley Caesar | Martin | All Nominees |
| Best Traditional Blues Album | B.B. King | My Guitar Sings The Blues | All Nominees |
| Best Tropical Latin Album | Tito Puente | Mambo Diablo | All Nominees |
| Best Tropical Latin Album | Eddie Palmieri, Sr. | Solito | All Nominees |
| Best Vocal Arrangement For Two Or More Voices | Cheryl Bentyne, Bobby McFerrin | Another Night In Tunisia | All Nominees |
| Chamber Music Performance | Emanuel Ax, Yo-Yo Ma | Brahms: Cello And Piano Sonatas In E Minor And F | All Nominees |
| Classical Album | John Aler, Robert Shaw, Robert Woods | Berlioz: Requiem | All Nominees |
| Country Instrumental Performance | Chet Atkins, Mark Knopfler | Cosmic Square Dance | All Nominees |
| Country Performance By A Duo Or Group With Vocals | Judds | Why Not Me | All Nominees |
| Female Country Vocal Performance | Rosanne Cash | I Don't Know Why You Don't Want Me | All Nominees |
| Female Pop Vocal Performance | Whitney Houston | Saving All My Love For You | All Nominees |
| Female R&B Vocal Performance | Aretha Franklin | Freeway Of Love | All Nominees |
| Instrumental Soloist Performance (without Orchestr | Vladimir Ashkenazy | Ravel: Gaspard De La Nuit; Pavane Pour Une Infante Defunte; Valses Nobles Et Sentimentales | All Nominees |
| Instrumental Soloist(s) Performance (with Orchestr | Yo-Yo Ma | Elgar: Cello Concerto, Op. 85/Walton: Concerto For Cello & Orch. | All Nominees |
| Male Country Vocal Performance | Ronnie Milsap | Lost In The Fifties Tonight (In The Still Of The Night) | All Nominees |
| Male Pop Vocal Performance | Phil Collins | No Jacket Required | All Nominees |
| Male R&B Vocal Performance | Stevie Wonder | In Square Circle | All Nominees |
| Pop Instrumental Performance | Jan Hammer | Miami Vice Theme | All Nominees |
| Pop Performance By A Duo Or Group With Vocals | USA For Africa - Various Artists | We Are The World | All Nominees |
| Producer Of The Year, Classical | Robert Woods | All Nominees | |
| Producer Of The Year, Non-Classical | Phil Collins, Hugh Padgham | All Nominees | |
| R&B Performance By A Duo Or Group With Vocals | Commodores | Nightshift | All Nominees |
| Record Of The Year | Quincy Jones | We Are The World | All Nominees |
| Rock Instrumental Performance | Jeff Beck | Escape | All Nominees |
| Rock Performance By A Duo Or Group With Vocals | Dire Straits | Money For Nothing | All Nominees |
| Song Of The Year | Michael Jackson, Lionel Richie | We Are The World | All Nominees |
| Traditional Folk Album | Rockin' Sidney | My Toot Toot | All Nominees |